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Mike Shinoda PT Tour

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Mike Shinoda PT tour

Mike Shinoda, Joe Hahn and Brad Delson talking about Linkin Park's debut album

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2020 LINKIN PARK: Hybrid Theory - track by track | Kerrang!

LINKIN PARK: Hybrid Theory - track by track | Kerrang!

*First performance*

Probably at the piano recitals when I was a kid, maybe 6 or 7, probably around there, maybe even younger. The first time I actually did singing or anything like that was with a youth theater group. There was a youth group that was just a group to hang out with other kids, and one of the things the group did was a musical performance. We did *West Side Story* and all this theatre stuff. And honestly, I didn’t love it, it wasn’t my favorite thing but I did it, it was fun to do with my friends. We’d rehearse shows, and obviously there’s a director and a little band of, like, four people playing this stuff live and we were doing the reading lines and singing songs.

*First song written*

First song I wrote was on piano. It was probably inspired half by videogames and half by movies about medieval stuff because I was way into *Dungeons & Dragons* and stuff like that. I actually should say, I wasn’t way into it but I would draw my own characters and I had a friend who put together little games, he knew more about how to do *Dungeons & Dragons*, those levels and whatever. But it was really loose, we weren’t using *Dungeons & Dragons* kits or whatever, and he would make up the stories and I would draw the characters. And I wrote this piece of music that was probably inspired by that kind of a thing and I entered it into this little contest that my piano teacher was having. I was probably 11 or 12 or something and I won first place. And other people in the contest were like 16-17 years old so I felt like I was pretty cocky. [laughs]

*How much was the prize?*

50 dollars or something so I bought a bunch of art supplies. Actually, I probably bought a video game. To be honest, I probably bought a Nintendo game.

*First drawing*

I know I drew characters that would fit inside the games that I loved playing, *Mega Man* for example. The format of that game, for people who have never seen it, is really simple. You’re this little blue character with a gun arm and every level that you go to - the level has a theme like Fire Man or Leaf Man, and if you beat Leaf Man - his weapon is a leaf and he fights you with it - and then when you beat him you get to have it, so you can select between your regular gun and leaf gun. So that happens for each level so that’s a great, that’s an easy concept. I started making my own something-men. I don’t remember what they were, I don’t know, Trash Man that throws trash… [smiles] I don’t know, I’m making that up but that’s the idea, I remember doing that.

*First album you bought with your own money?*

First album I bought with my money was Beastie Boys *Licensed to Ill* on vinyl. I don’t even know if cassettes were then... Cassettes may have been out, CDs weren’t out but I know I got it on vinyl because we had a record player at the house and that’s super old. I still have it though, it’s not warped or anything. I took good care of my record.

*First instrument you bought?*

The first instrument… We had a piano, an upright piano in the house and then at some point I asked for a keyboard. I was super obsessed with Dr. Dre, I didn’t even realize it till later that I had literally bought everything that he produced up to a certain point. So yeah, I wanted to get a keyboard so I can try and make sounds like he was making.

*First job*

I think the first job I ever had was working at my uncle’s produce farm. He had this warehouse in central California where they would grow and box up oranges and grapes, mostly fruit. I think there’s probably 15 or 20 people working there and I went out there for the summer and boxed fruit. Mostly people didn’t speak English, they all spoke Japanese or Spanish. I didn’t have any friends, just everybody was older. [laughs] I was a teenager and these people are like 20. They looked like 30 or 40 years old so I just worked 10-hour days and then went home with as much money as I could save.

Mike Shinoda for MYX Philippines - about his first performance, first song written, his first job and more

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MYX Headliner: Mike Shinoda Talks About All His Firsts

*Coloring or drawing?*

Coloring is easier for me but that’s usually because a lot of the styles that I work in, most of the guesswork happens in the initial stages. So the sketching stage is when things can fall apart, and by the time I get to filling things in and I know what I’m doing. Same thing with music.

*Ever been caught vandalizing?*

I’ve never been caught vandalizing. I don’t think so. I was never a graffiti artist, I have friends who were so I would never pretend to be a legit graffiti artist. I was obsessed with graffiti, I had a blackbook. If you have ever seen a real tagger - you keep a blackbook with all your tags and all of your sketches and stuff. And I never illegally put one of my things on a wall, I only did it a few times and it was always when somebody was like, “Oh! Yo! Will you paint my thing?” So it was never like... I wasn’t necessarily scared of it, I was just busy with other stuff. Outside of school, I was always doing art - I was doing art classes, or I was working on something for myself or something that I was going to turn in in school, or I was playing music and making music with my friends. I played basketball too, so I didn’t have time to run around and do dumb stuff, you know what I mean? [laughs] Like, what am I gonna do - I’m going to tag on somebody’s walls, and get in trouble, and get grounded, and I won’t be allowed to do any of my stuff? I had a good family, it was all good. [smiles]

*Recording or performing?*

I like them both the same. I mean, recording and performing, I think it’s like yin and yang, they serve a purpose and they flow into one another. So it’s almost like different parts of the same coin.

*Ritual before performing?*

For sure before shows I usually do a little vocal warmup thing. I have these recordings in my phone that I sing along to, just to warm up. Most times, usually, whether it’s been Linkin Park or Fort Minor or solo stuff, I usually do some kind of huddle, or some kind of get together before the show, just to get physically in the same space as everybody - the band, sometimes the crew, sometimes our friends who are in town, just to kind of get focused.

Mike Shinoda for MYX Philippines - about graffiti and his rituals before performing on stage

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MYX Headliner: Mike Shinoda Talks About His Rituals Before the Shows

Steve Hatherky: Welcome back to the *Steve Hatherly Show*. Linkin Park’s Joe Hahn. 

Joe Hahn: [greets in Korean] Hello, I am Joe Hahn!

Steve: Welcome back.

Joe: Thank you. Glad to be here.

Steve: You got back to the country just a couple of days ago?

Joe: Yes. Back to the mother peninsula.

Steve: From the time that we saw you on the show last time until this time, how many times have you been back and forth?

Joe: Oh wow. I don’t know. I’m guessing maybe 3 or 4 times.

Steve: Oh my goodness. You must be ready for a break... from the traveling, anyway?

Joe: No, I love it. 

Steve: [laughs] I bet.

Joe: I love the jajangmyeon [Korean black bean sauce noodles], the gamjatang [Korean spicy pork bone soup]...

Hanna Kim: The Korean food.

Joe: ...the tteokbokki [Korean spicy rice cakes]

Steve: I’ll just let you keep going. [laughs]

Hanna: We’ll just do this for an hour. The bulgogi [Korean BBQ beef], the bibimbap [Korean Mixed Rice with Meat and Vegetables]...

Joe: The kalbi [Korean Barbequed Beef Short Ribs], the gochujang [Korean Chili Paste]... 

Steve: The reality show’s wrapping up tomorrow. Did you tell me the finals’ tomorrow? 

Joe: Yes, tomorrow’s the final episode and it’s gonna be completely live.

Steve: Really?

Joe: Yeah. So they won’t edit my curse words...

Steve: [laughs] Or the brand names. So let’s talk about this. Well, actually, before we talk about the photo exhibition, let’s talk about your art in general. When you started out DJing, were you doing art at that time or is that something that came later or before for you?

Joe: I was drawing since I was a kid. I used to go to church and I didn’t understand what they were saying - some of the services there were in Korean. So there’s always a paper and pencil, usually it’s because they want some cash in there, but that was my canvas.

Hanna: The envelopes were your canvas? For the offerings?

Joe: Yeah.

Steve: I wonder what the last person who got the offering thought. [laughs]

Hanna: “There’s no cash in here but there’s a nice little doodle.” 

Steve: Again, thank you for doodling ’cause that’s what you did the last time. Doodling sounds condescending - you drew a really cool bunch of pictures on the albums, the Linkin Park albums that I brought to the studio last time. And I guess that’s what you do, you multitask when you’re sitting and chatting, or sitting and doing anything that you’re just drawing the whole time.

Joe: Yeah, there’s something relaxing about it. And I don’t get to draw as much as I used to, so it’s kind of nice to just get that little bit of practice in.

Steve: Gotcha. What about photography then? ’Cause that’s what this exhibit is all about.

Joe: Oh yeah. It was about 6 months or so before we stopped touring, I got a new camera around my birthday and I took it around with me everywhere we traveled on tour. So this photo show is a result of all those photos taken during that time.

Steve: Was it intentional or was it just - you were doing it and then you thought, “Why don’t I put this all together and make an exhibit out of it?”

Joe: You know, I’ve been touring for the last 5 years or maybe a little bit longer. [smiles] No, it’s actually been like 20+ years. I just, I don’t know… Sorry, I’m thinking about how old I am, just in the middle of that sentence so it kind of went a different way. [smiles] But, you know, people asking questions like, “What’s it like touring?” and all these things, and I think a picture can tell a thousand words. Actually a friend of mine, he’s known as a professional photographer, but when I met him his dad gave him a camera and he was tour managing for a group called Cypress Hill. He started taking photos on that tour and then eventually became a pretty famous photographer. His dad just told him, “Hey, just take this and just take pictures so you’ll know where you’ve been.” I think something about that resonated with me, and just being able to share these images with people I know. The camera I had is pretty high resolution so even for myself looking at it on a computer screen, you don’t get to see all the details and I really wanted to blow a lot of them up. And you see a lot of people, you know, we play for big crowds and... 

Steve: I saw one picture. I had a look at maybe 3 or 4 pictures, that’s all I was able to see to this point. But the one that stood out to me the most was the black and white picture. I was having trouble figuring... the crowd was facing so was it taken from behind the crowd or from your vantage point on the stage?

Joe: Well, most of these photos they’re unique to where I am on stage or the places I can get to. Most of the live photos you see are using designated areas where photographers can go usually at the beginning of the show. Some people will notice the difference from the vantage point.

Steve: Because people get to see what you saw.

Joe: Yeah, and I think that the commonality that I saw, I don’t know if it was me just being intentional about showing it or just coincidentally that was a theme but just the connection with fans and what we’re doing. We get energized by the crowds. If you see the show, you see a lot of the power that the fans bring to the show.

Steve: Alright, let’s talk about this photo exhibit more specifically. It’s called *Carry On*. Here’s the information that you need to know to go check it out. The pop-up exhibit is July 18th, that’s a week from today so that’s next Thursday. That’s at Layer 57 in Seongsu-dong. If you don’t know where that is, you can look it up on the internet. But the official exhibit begins August 14th, that’s out in Paradise City in Incheon and that’s gonna run for about a month or two, correct?

Joe: Yes, until Chuseok. [Korean holiday]

Steve: Until Chuseok. Very cool. It started out in Shanghai, Chengdu and Beijing, I don’t know if I got that order correct, but it started out in China.

Joe: Yes.

Steve: We touched upon it the last time you were here but only very briefly. How did it go in China?

Joe: Oh, it went amazing. We were working with Mercedes and they had some venues which called the Mercedes Me Stores out there. They’re all beautiful and we were part of the opening of the Chengdu store. Just the people that came out were so cool.

Steve: Are you watching the audience? I often wonder that about artists. You know, when they put on exhibits. Sometimes you see in the movies - they’re in the crowd mingling, asking questions and stuff. Were you doing that or were you watching from above? Or were you just not watching at all?

Joe: Oh yeah, I was there, just hanging out. And then when it got too crowded, I ducked out a little bit. I’ll be there for the opening and we’re gonna have a party, a whole lineup of DJs. I’ll be spinning as well.

Steve: Nice! So this is something that the last time you were here, we weren’t sure whether it or when it was gonna happen in Korea. We knew, I think, that it was going to happen. But the pop-up is next Thursday. Will you be there for that one too?

Joe: Yeah, that’ll be the pop-up. I don’t know the schedule but it’ll shut down at a certain point, and then the after-party will open in the same spot.

Steve: Gotcha. It’s called *Carry On*, can we talk about that? Why’d you name it that way?

Joe: There’s two meanings. The first meaning is associated with carry-on luggage. When you travel - I travel a lot - and you take what you need. So it could be your toothbrush or your favorite watch. Computer, of course. You know I do a lot of work, make music, work on Photoshop and Illustrator... Sorry for the brand names...

Hanna: Brand names. You’re just dropping names constantly. 

Steve: It has three meanings after the show. [laughs]

Joe: ...on my Apple computer.

Hanna: [sighs] Joe!

Joe: But the main piece is my camera. I won’t say the name of that camera… [smiles] 

Steve: It’s probably the one that people want to know the most! 

Joe: Yeah. [laughs] So, the camera being an essential that I have. I took all the photos through my travels on this particular camera, I took a lot of photos. It was really fun just documenting places I’ve been, moments with the band, our interaction that people don’t get to see, vantage points from before and during the show and sometimes after the show. And the second meaning is carrying on in life. I think these photos are important as a time capsule piece of a moment in time, and it felt really important to me to share this with the world. For me, it’s helped to remember those great times. I mean, when you see the photos, you see moments of greatness. So, to remember that, pay homage to those experiences and then carry on with your life. 

Steve: I guess that’s true, and maybe if you’re an actor or an actress and you’re killing it, you know? If you were Jim Carrey making 20 million a film at that time. Or you’re in Linkin Park and you’re one of the biggest, if not the biggest, rock and roll band in the world...

Joe: The biggest. And the coolest.

Steve: ...do you have the wherewithal to stop and realize what’s happening? Do you know what I mean?

Joe: That’s a good question. I think it happened differently at different moments in time. Like, for us, when we started - we made our first record, the next week when we were finished, we got into an RV to open up for another band and drove all the way to Florida.

Hanna: From California?

Joe: Yeah. I think it was 8 of us, 6 band guys, a tour manager, and a guy that sold our merchandise. 

Steve: It’s kind of an awesome road trip.

Hanna: That is!

Joe: And then on our way back from the East Coast, we played a radio show in Arizona where Chester was from. And on the way into town, we were gonna stay at his dad’s house and we heard our song on the radio for the first time. 

Steve: Oh cool!

Joe: And that was such an awesome experience. And then that song blew up like crazy. And then we were quickly invited to play bigger shows. So within six months of getting in the RV to the summer, all of a sudden we played in front of 80,000 people. 

Steve: That’s insanity. 

Joe: Yeah. I remember that feeling was like one of the best feelings ever that you can’t really give to other people, you can’t really explain it. 

Steve: Hence the photo exhibit, kind of, right?

Joe: Yeah, for sure.

Hanna: We’re going to visit the exhibition obviously but is there one that’s your favorite piece? That when we walk into that exhibition, you want to be like make sure to pay attention to this one photo.

Joe: There is one piece that is my favorite. It’s just a hand reaching out to another hand.

Hanna: A hand reaching out to a hand?

Joe: Yeah. It’s actually Chester’s hand reaching out and it just shows how connected the audience is with him. In particular that’s one guy that’s really connecting with him. And I think that’s a moment that everyone can share in a crowd but to see that actually happened in a photo, for me, it’s a pretty magical connection.

Steve: How did you narrow it down to the photos that are in the exhibit? I’m sure you had tons more to choose from.

Joe: I had thousands of photos and it actually took me a very long time to narrow it down, and I think I ended up with 69 photos.

Hanna: Wow.

Joe: 15 extremely large ones that are about six feet long and the rest of them are a lot smaller than that. But it’s still a lot.

Steve: 69 is a lot of pictures! Are you planning on using the other ones...

Joe: I figured people like that number. [smiles]

Steve: Are you planning on using the other ones at any point in time?

Joe: No, no plans. I mean, I’m sure if someone wanted to use a photo for something I could probably dig it up. Or if any of the guys in the band wanted to take a look at it and get a print of it then that’s always there. 

Hanna: Any going into your house?

Joe: I don’t know. I hope so.

Steve: *Carry On*, photo exhibit. The pop-up exhibit is July 18th, that’s next Thursday at Layer 57 in Seongsu-dong. And then the official exhibit begins August 14th, that’s at Paradise City in Incheon. That’s gonna run up until Chuseok time, about a month or over a month. We’ll listen to a song and when we come back, we’ll talk about the other thing that we need to. I believe that the official exhibit is coinciding with a music event that is happening at Paradise City, correct?

Joe: Yeah, YOURSUMMER [festival] is on the 15th of August.

Steve: And we’re going to talk about that after.

Joe talks about ‘Carry On’ photo exhibition, his music and artwork

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Special Interview with Joe Hahn at The Steve Hatherly Show (Part 1)

Steve: YOURSUMMER festival taking place at Paradise City Culture Park on the 15th of August. This is pretty cool. Zedd is gonna be there, Cash Cash is gonna be there, CHVRCHES is gonna be there, Joe’s gonna be there as well. You excited about this one? It’s pretty cool.

Joe: Yes, very excited. I’ve been wanting to play a festival in Korea for a long time. 

Steve: Is it something that you get to do a lot? I mean, you’re focusing a lot on this photo exhibit right now but just going around and DJing and playing different venues or playing festivals...

Joe: I don’t do it a lot. I think I’m doing too many different things. I don’t get asked a lot to do it. Hint, hint. [smiles]

Steve: [laughs] Well, you’re booked in August. I always ask DJs this, do you go in with a kind of a preset notion, a setlist, if you will, of what you’re gonna do or do you just kind of look at the crowd, play your first track and then go from there?

Joe: I definitely have to prepare because, you know, I don’t DJ all the time. It’s actually good ’cause when it comes up, it puts me in a position to explore what’s new. I try to get the new stuff in there but blend it with a lot of the goodies. 

Steve: So when you say a good opportunity to explore what’s new, meaning when you’re doing your other projects you kind of fall behind a little bit in what the crowds might be into at clubs or festivals so it gives you a chance to kind of catch up in that sense?

Joe: Yeah, I mean, I don’t go to clubs. I go to sleep too early for that. [laughs]

Steve: What’s your bedtime? What’s Joe Hahn’s bedtime?

Joe: [sighs] 8:30...

Hanna: In the morning. [laughs]

Joe: We have dinner at 5:00. Sometimes before that so I can catch the early-bird-special. 

Steve: Oh, you and I could be very good friends. I eat at 4:30 in the afternoon. 

Joe: It’s actually healthy for you! That’s another program.

Steve: That’s why I do it, sure. Let’s go with that.

Joe: Intermittent fasting.

Steve: Yeah… So what’s coming up next then for your DJing or perhaps for the photo exhibit? Is it a traveling show beyond Korea as well?

Joe: We don’t have any set dates but we’re in talks about having it in Germany. And maybe even a few more places in Korea. 

Steve: You’re always here in and out, in and out for projects. Do you ever see yourself maybe in the future having a place here that you could call your own and maybe living here for a portion of the year?

Joe: I wouldn’t mind, but the real estate is very expensive here. So I’m a bit priced out. [smiles]

Steve: I got an extra room I can rent you out.

Joe: For that I will deal.

Hanna: Can we expect anything else now that you are going to end the variety show? Another variety show in Korea or any collaborations with Korean artists?

Steve: Or even any new projects that you haven’t done yet?

Joe: Don’t put expectations on me because I’d rather overdeliver. You know, there’s no plans. I definitely intend to be more present and explore more opportunities whether it’s another show or... They haven’t asked me to come back on the show, maybe because I annoyed the producer so much. I’m open to everything. I mean, I still have my responsibilities with the band and whatever we’re gonna do next, that’s number-one priority. I think that’s the reason why I’m sitting here today. But aside from that, I’d love to do more projects. I’d love to contribute more. I’d love to be present and have a reason for young people to connect with other artists or give things a try. I think that’s what the thing I loved about Superband is the fact that young people are given a chance.

Steve: And it’s a different genre of music to you, right?

Joe: Yeah. I mean it’s not even a genre. It’s like - be a band, show what you can do. That’s what I love about it. You know, it’s funny ’cause when I talk to people in the States I say, “Oh, I’m doing this music thing in Korea” and they’re like, “Oh, k-pop!” It’s like there’s a stereotype with Korea now. And part of me is like - okay, I’d love for these guys to get to the dynamics of what rock used to be and achieve that in a worldwide way. Of course k-pop something to be proud of but... it’s all music, you know?

Steve: And there’s more than just k-pop and you want people to know that. Joe, thank you so much once again for coming back on the show. And as I said last time, the door is always open.  Whenever you’re back here, you come back and see us.

Joe: Thank you!





Joe talks about music and his performance at the YOURSUMMER Music Festival

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Special Interview with Joe Hahn at The Steve Hatherly Show (Part 2)

I always get asked questions about what‘s going on with the band and this and that. But I think that there’s nothing going on with the band except for the fact that we‘re best friends.

A lot of bands don’t stay together as long as we have, and the ones that have - they’re pretty awesome. It’s not because they‘re successful, there’s plenty of success out there, but it’s how they can succeed together.

When we started making music, we had a certain energy about us and certain influences all the way from whatever was popular as far as rock and heavy metal but also hip-hop, electronic, and also just the exploration of sound - what is possible beyond what those individual genres have. I think the main thing is the dynamic of the energy, and how do we bring that energy and that feeling that we love into what we personally want to say.

I think the lyrics and the music really tap into that and I think that‘s a universal emotion that’s felt through the song so it allows us to have our base in US but also be able to come to places like China. And the evolution of the music is just our natural tendency to want to improve ourselves or try different things, be experimental and not approach the same problem the same way. We‘re not manufacturing a product based upon what’s expected. We put expectations on ourselves, we talk about it.

I think this is definitely something difficult, the most difficult thing we‘ve dealt with. You lose your best friend - how do you deal with that? I think everyone is dealing with that part in their own way, individually. The most important thing to focus on is our relationship. Even what we do in the future, or what the music is going to be, or all that - that’s not even a priority.

*Carry On* is a personal experience for me. About April 2017, I got a camera that I really like to shoot pictures with. The story of the photographs starts at that time. It ends when we stopped touring. And for me, the camera is an important item that I choose to take. I wanted to be able to find a way to share those memories. And also for me, it was therapeutic to carry on with my life.

We’re trying to get to a place where we can just enjoy being around each other and naturally make something. But as far as an expectation of a tour or an album, that‘s not something that we talk about. It’s more like - hey, the same way that we got together to show what someone wrote and play it together, or give it to someone to turn it into something, or just go to dinner or lunch together, or have our kids play together - that‘s what we do.

Joe Hahn talks about his photo exhibition ‘Carry On’, as well as updates on the rest of the band members and potential future of the band

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